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Includes an introduction by Johans Borman and paintings by JH Pierneef, Adolph Jentsch, Peter Clarke, Erik Laubscher, Cobus van Bosch, Walter Battiss, Cecil Skotnes, Simon Stone, Sanell Aggenbach, Clare Menck, Walter Meyer and Joshua Miles. Contributions include: "The Pastor's Gift", with a script by Junior Survivors of Performing Arts and art by Thabo Mondreki and Robbie Millan "Chippa my Auntie" with a scipt written by the Black Ink Arts Movement and art by Susan Opperman, Sabatha Ngesi and Thabo Mondreki "Petrified", a comic strip that came into being during a visual art performance event organised by CCIBA at the old cement factory in Philippi as part of CCIBA's Masterclass and Symposium on the Graphic Novel, coordinated by Andy Mason and Lieve Vanleeuw.
The thirty-two artists who participated were tasked with creating, in a single day, an 8-page comic based on the work of Petrus Nooi, a sculptor who works in concrete and sells his pieces from his yard next to the road that connects Stellenbosch with the informal settlement of Khayelitsha.
Includes the essays, "A Taste of the Mythical Moment, art as confirmation of our humanity" by Amanda Botha, and "Filaments of Narrative, sculpture and the unravelling of identity" by Ernst van der Wal, and notes by Andries Botha.
Andries Botha is Senior Lecturer in Sculpture at the Durban University of Technology.
Catalogue of the exhibition, Sasol Art Museum, Stellenbosch, October 2012 - January 2013.
Includes the essay, "Vocation, Recognition, Chronology" by curator Muller Ballot. Catalogue of the exhibition of paintings, Graham's Fine Art Gallery, Johannesburg, 2012.
Akona Kenqu was the recipient of the 2012 Women in Photography Mentorship at the Market Photo Workshop.
2 Includes the essay, "Forbidden Pleasures, exercises in autophagia" by Achille Mbembe. A collection of original African stories, written and illustrated by Capetonians. Barbara Wildenboer was born in 1973 and lives and works in Cape Town. He has a studio in Cape Town and travels frequently to Knysna.
He came to South Africa in 1890 to work in the booming building trade in the Transvaal Republic.
His first important commission as architectural sculptor was to create the old Republican coat of arms for the pediment over the entrance to the Old Council Hall (Raadsaal) on Church Square in Pretoria.
Catalogue of the exhibition of ceramic artwork, Durban Art Gallery, 2012.
Includes the essays: "(un)Earthing History: ceramics at the Durban Art Gallery" by Elizabeth Perrill "A History of Ceramics at the Durban University of Technology" by Tony Starkey "Continuity and Change: ceramics at the Centre for Visual Art, UKZN PMB" by Ian Calder "Mediating Indigeneity and a Cross-cultural Aesthetic in Works by Ceramicists from KZN in the Durban Art Gallery's Collection" and "Rorke's Drift Ceramic Traditions in Context" by Juliette Leeb du-Toit "The Nala Dynasty: the relevance and importance of these Utshwala vessels" by Juliette Armstrong "Ardmore Ceramics" by Valerie Leigh.